In the first testing for sound John layered multiple instruments including
piano's and synth effects to create an eerie atmosphere and feel to the music. He started by recording 'Twinkle Twinkle' and then changing the pitch, adding in
fade outs and also extending and shortening certain notes. With this in place, John then added 2 different synth effects including cosmic reflection and bondi breath.
For the cosmic reflection he played the same notes that he had played for the
original track of 'Twinkle Twinkle', added in the fade out and also made the
notes longer to match the first track. John then included bondi breath but played
the chords, bent the pitch so that it sounded discordant.
Although John thought that it as a whole worked well together, we don't think we will
use it in our final outcome as we were hoping for something more subtle as
there will be a recording of an exorcism over the top. This will be whispered
so it would be better if we also had something quieter.
Even though we didn't like the original for our
final outcome, John worked on it still and added a sample of emotional piano 3
which makes it sound more discordant and works effectively.
John decided in the future he will use more samples to compose a
piece of music because it can be subtly linked to what we are doing and will
work better when it comes to editing and placing everything together. He has another idea to produce a falling piano motif which could possibly work if it
is pitched high enough and also sounds discordant.
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